Category Archives: PHILIPPINE PROVINCES

Calvo Building (Escolta, Manila)

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Calvo Building

The historic Calvo Building, an outstanding example of Beaux Arts architecture, is one of the remaining buildings from the earlier part of the 20th century along Escolta Street. It was designed by architect and civil engineer Fernando H. Ocampo, Sr. (of Arguille & Ocampo Architects) and inaugurated on August 14, 1938 on the land owned by the couple Angel Calvo and real estate businesswoman Emiliana Mortera Calvo.

Plaque installed by National Historical Commission of the Philippines in 2018

On November 1944, during World War II, it was temporarily used by Japanese Imperial Forces and was destroyed during the 1945 Battle of Manila and restored in 1946. On August 14, 2018, a historical marker (entitled Gusaling Calvo) was installed by the National Historical Commission of the Philippines.

Cartouche above the arched window

This 4-storey building was one of the most prestigious business addresses of its time.  Its tenants were:

  • Philippine Bank of Commerce (ground floor)
  • Lissar Commercial (ground floor)
  • Aquino-Lichauco Law Offices (second floor)
  • Offices of Araneta & Co. (third floor)
  • MV Villar Records Store – then Manila’s biggest vinyl record bar
  • Sabater Optical
  • Mareco Broadcasting – owner of 105 Crossover FM
  • Mabuhay Records – a recording company that produced albums for kundiman legends Ruben Tagalog, Sylvia dela Torre and Pilita Corrales
  • Sorriente-Santos Department Store – the first store that introduced the “buy-one-take-one” selling strategy.
  • Luisa & Son (roof deck) – a pre-war soda fountain popular with Manila’s high society.

The truncated corner

On March 1, 1950, the GMA Kapuso Network was also born at a makeshift studio at the fourth floor of the building (before moving to its present location in Diliman, Quezon City) when former American war correspondent for United Press Robert “Uncle Bob” Stewart (who eventually fell in love with a Filipina and the country as a whole) transmitted the first signal of  Republic Broadcasting System, now radio station DZBB-AM. Stewart would later expand his media enterprise into television, and Radio Broadcasting System would later be renamed GMA.

Today, Uno Seafood Wharf Palace, Mercury Drug and Tropical Hut flank the entrance to the building, with Wah Yuen Hot Pot and Seafood Restaurant in its Calle Soda side.

Old pre-World War II photo of Calvo Building without its fourth floor

Its mezzanine is home to the little-known Escolta Museum which contains memorabilia from the past.  During the post-war years, a fourth floor was added to the three-storey edifice.

Check out “Escolta Museum”

The ground floor lobby

Its front being a flagstop for the tranvia (electric tram line), it is the only building along Escolta that is pushed back. It house one of the few classic-style and rare, manually operated Otis elevators.

The richly-decorated and stunning facade at the second level has arched windows (except at the truncated corner) flanked by Ionic pilasters, above which is a cornice embellished by garlands and gracefully broken, in alternating sections, by cartouches supported by corbels above the window’s arch.

Photo of Don Angel Calvo

Calvo Building: 266 Escolta cor. Soda Sts., Binondo, Manila. Coordinates: 14.597141°N 120.978221°E.

How to Get There: The building is accessible from the LRT1-Carriedo station. The Pasig Ferry also has an Escolta stop.

A Tour of Valenzuela City

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After the video documentary presentation on the life of Dr. Pio Valenzuela, I requested museum curator Mr. Jonathan C. Balsamo for a tour of the city’s historical sites using their open pickup.  Sandy, Mark, Ronnie and Violeta  joined us.  Jandy and Violeta stayed inside the pickup’s airconditioned cabin while Mark, Sandy, Jonathan, Ronnie and I rode on the open cargo area as we traversed the city’s very narrow streets exposed to the hot, late morning sun.

Arkong Bato

Our first stopover was at Arkong Bato (Spanish for “stone arch”), along the only road that links MacArthur Highway with the North Luzon Expressway (NLEX).  This arch was built in 1910 along the old national road passing through the old town of Polo before the construction of MacArthur Highway.  It formerly marked the boundary of Rizal (where Malabon formerly belonged) and Bulacan (where Polo formerly belonged).  Today, it marks the boundary between Brgy. Santulan (Malabon City) and Brgy. Arkong Bato (Valenzuela City).

San Gabriel House
The former Valenzuela City Emergency Hospital

We next proceeded to the old town proper and made a stopover at Liwasang Rizal, the old town plaza with its own simplified replica of the Rizal Monument (its base somewhat shorter because the plaza’s grounds were elevated through the years).  Surrounding it are the old town hall (now home to the former Valenzuela City Emergency Hospital), the San Diego De Alcala Church and the old but still wonderfully preserved, 2-storey San Gabriel house (now home to Aida Carinderia).  The latter has capiz sliding windows, intricate woodwork and double roofs typical of houses built during the Spanish and American eras.  This house should be added to the list of the city’s tourist attractions.

Church of San Diego Alcala Ruins

Beside the church are the ruins of the oldest church in Valenzuela, built by Fr. Juan Taranco and Don Juan Monsod and later expanded and completed by Fr. Jose Valencia, aided by Capt. Juan Tibay, in 1632.  In 1852, the church was fully repaired and remodelled by Fr. Vicente but was razed to the ground during World War II.  Only the octagonal bell tower and the arched main entrance have been preserved.

Gabaldon-style building of Pio Valenzuela Elementary School

From the church, we also walked to the nearby American-era, Gabaldon (named after Assemblyman Isauro Gabaldon of Nueva Ecija, author of Act No. 1801, better known as the Gabaldon Act)-style schoolhouse of Pio Valenzuela Elementary School, one of a number of heritage schoolhouses, built in the Philippines between 1907 and 1946, that follow standard plans designed by American Arch. William Parsons.

Church of San Roque

Back to our pickup, we next proceeded to the San Roque Church which dates to 1763.  The church facade has a semicircular arched main entrance flanked by statue niches and twin bell towers with pyramidal roofs.  The wall above the triangular pediment as well as the wings on the sides of the church are probably modern additions.  Our last destination in our city tour was the 2-storey Pio Valenzuela House.  The original house was, together with its antique furniture, razed during World War II.

Dr. Pio Valezuela House

The marker in front of the house erroneously identifies it as the birthplace of Dr. Pio.  He was actually born in Brgy. Tagalag, its actual location already unknown even to his relatives.  This house was where Dr. Pio lived and died.  Only a caretaker lives here.  The grounds of the house were partly flooded, a result of it being situated on one of the lowest parts of the city.  Valenzuela City is located on swampy land crisscrossed by rivers.

Historical Marker

Arkong Bato: Brgy. Arkong Bato
San Roque Church: Brgy. Mabolo
Pio Valenzuela House: Velilla St., Brgy. Pariancillo Villa

Museo Valenzuela (Valenzuela City)

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I recently got an invitation from Lakbay Norte colleague and now La Consolacion College School of International Hospitality Management Prof. Melissa  Dizon-Dulalia to join a Lakbay-Aral tour of Valenzuela City with her students as guests of City Mayor Sherwin T. Gatchalian.  I brought along, as my photographer, my son Jandy.  We met up with Melissa and her students at La Consolacion College where a chartered airconditioned Genesis bus was waiting for us to bring us to Valenzuela City.    

Museo Valenzuela

Aside from the Melissa’s 42 Tourism Planning and Destination Development Class students, joining us were fellow media colleague Mr. Rogine de Mata Rogelio of Pilipino Mirror; travel photographer Nico Karabatsos; travel agents Mr. Sandy Mella Clamor (Managing Director of Emmaus Travel & Tours) and Ms. Bingbing Rubio (Pogi Travels); and Ms. Violeta  C. Imperial (founder of Nature Awareness & Conservation Club, Inc.).

Mayor Sherwin Gatchalian with media and travel agents
Mayor Gatchalian with La Consolacion College students

We all left La Consolacion College by 8:45 AM and arrived at the 2-storey Museo Valenzuela, beside the National Shrine of Our Lady of Fatima, by 9:20 AM.  Here, we were joined by my good friend and fellow travel blogger Mr. Mark Vincent Nunez (www.mvlnunez.blogspot.com) and travel agent and Valenzuela City resident Ms. Rosanna Kho (Gen. Manager of Kho Travel & Tours).  

Museum curator Jonathan C. Balsamo

At the museum, we were welcomed by museum curator and historian Mr. Jonathan C. Balsamo who presented a video documentary, created by the City Cultural Affairs and Tourism Development Office (CATDO), featuring historical experts’ commentary on the life of local son and least depicted national hero Dr. Pio Valenzuela (July 11, 1869-April 6, 1956), Katipunan co-founder (together with Andres Bonifacio and Emilio Jacinto), mayor of Polo (the former name of the city) from September 6, 1899-February 1900 and Bulacan governor from 1921-1925.  The city was renamed after him on September 11, 1963.

Diorama – Pagkamakabayan and Paglilingkod
Diorama – Pagkamulat and Pagkilala

The museum, which gives public access on factual information on Dr. Pio, is among the major efforts of Mayor Gatchalian to prevent Dr. Pio’s deeds from dying in vain.  It has a bust sculpture of Dr. Pio and a permanent, full-dimensional diorama exhibit, opened last March 16, 2010, of the life of Dr. Valenzuela during and after the Philippine Revolution. The 150 hand-made dolls, fashioned out of resin and wire, were created by artists of the Balikatan sa Kaunlaran National Foundation, the same team behind the Pinaglabanan diorama exhibited at the Museo ng Katipunan in San Juan City. Also on display are the doctor’s memorabilia (clothes, old photos, awards, medical equipment, furniture, etc.).

Pio Valenzuela and wife Marciana de Castro
Dr. Pio’s clothes
The doctor’s medical equipment
Dr. Pio’s swivel chair

It also exhibits paintings of past Valenzuela mayors and a model of San Diego de Alcala Church.  Serving as the cultural and historical center of the city, the museum is also the repository of Valenzuela City’s rich heritage and provides a venue for cultural, historical and artistic presentations as well as seminars on national and local issues.

A picture gallery of Valenzuela mayors
Model of Church of San Diego Alcala

Museo Valenzuela: Fatima Ave., Brgy. Marulas, Valenzuela City, Metro Manila. Tel: (632) 291-0672.

Symbios Holistic and Wellness Sanctuary (San Mateo, Rizal)

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I recently got an invitation from Ms. Melissa Dizon, a professor, former Exec. Director of North Philippines Visitors Bureau (NPVB) and a Lakbay Norte colleague, to join her in a dance-movement therapy session to be conducted by Ms. Riza Regis (an author, she also conducts crystal healing sessions) at the Symbios Holistic and Wellness Sanctuary, an extension of the BioVitale Holistic Center.

Dance-movement therapy session with Ms. Riza Regis

The center, a brainchild of owner Dr. Sonny Viloria (a proponent of complementary medicine which blends scientific Western practices with Eastern mysticism), is located in San Mateo, Rizal.  Aside from dance-movement therapy, the center also offers laughter yoga (by Paulo Trinidad); Reiki healing (by Mr. Arnel Belenzo); meditation, sound therapy and shiva-shi movement (by Ms. Yet) and lectures on natural medicine by Dr. Viloria himself.

Mandala Farm Estates

I met up with Melissa, with her daughter Bianca and her friend Mr. Jon Ryan ” J.R.” Ng (a photographer and magazine writer), very early in the morning at the Jollibee outlet at the Welcome Rotunda in Quezon City.  With J.R. at the wheel of his car, we motored all the way to Mandala Farm Estates where we asked the security guards at the subdivision gate for directions to the center.

The gateway to the center

After some confusion with the given directions, we finally made it to the center’s parking area where we were met by Mr. Ronnie Cruz Bernardo, the center’s de facto media consultant.   From the parking, we entered a marble gateway with wooden swing doors, flanked by a Buddha statue and a door bell, and went down, via a pathway (which varies from a combination of gravel, stones and railway sleepers, to stamped concrete) with a number of horseshoe bends, to the center’s native-style, open-air pavilion.

A pond and foliage-lined horseshoe bend

Another horseshoe bend along the gravel and stamped concrete trail

The pavilion had a floor of polished wooden planks and bamboo slats and wooden columns that supported wooden rafters and a roof of nipa and bamboo.  It is furnished with eclectic furniture from Pampanga, Thailand and Burma, a large area rug plus lots of Eastern statuary of deities (Kuan Yin, Buddha, etc.), all tastefully arranged by Mr. Chris Munar. One side of the pavilion has a breathtaking view of the mountains of Rizal.

Native-style pavilion

The view of mountains from the pavilion

At the pavilion, we were welcomed with a merienda of suman which we washed down with oxygenated water or a refreshing and healthy tea made with lemon grass (tanglad) and camote tops (talbos) infused with mint and sweetened with muscovado sugar.

Lemon grass and camote tops tea

After merienda, Ronnie toured us around the 6,000-sq. m. sanctuary. Near the pavilion are Balinese-style, tastefully designed and furnished cottages (made with concrete as well as local wood, nipa, bamboo and sawali) with capiz windows that can accommodate 6 guests while below the pavilion is a social area (where one can set up tents) with a koi pond and mini fountain.  Beside it is the food tent and the sun therapy (essential for natural healing) area with its pair of cushioned lounge chairs.

Sun therapy area

Balinese-style cottage

Part of the nature trail is lighted, come cool evening, by eco-friendly, solar-powered lamps and the natural light of fireflies (alitaptap).  Just about every nook and cranny of  the center is filled with the healing sound of natural water.  Running within the property is a crystal-clear brook which feeds a man-made, stone-lined lagoon (an ideal swimming area) below with cool spring water.  On one side of the lagoon is an Eastern-themed bas relief while overlooking the lagoon is a wooden meditation platform.

The man-made lagoon
The meditation platform overlooking the lagoon

A pond, with a covered bamboo and nipa platform (where one can do fishing), is filled with organic tilapia, floating duck weed and Azola (mosquito fern), a natural weed that is very rich in protein, vitamins and minerals.  Smaller ponds can also be found along the trail.  The piece de resistance is a small waterfall whose natural beauty inspired Dr. Viloria to buy the property.

Tilapia pond

The center’s resident waterfall

 

A duyan and benches beneath a bamboo grove
The hilltop meditation platform

Up a hill, accessed by a wooden stair, is a meditation platform, a mini version of the pavilion, where one can do yoga, meditate, relax or just take a mid-afternoon siesta while enjoying the great nature view.  Intersperse within a shady bamboo and giant fern grove are a pair of wooden benches and a native hammock (duyan).

A small pond

Come lunch, we were all served, inside a food tent, tawilis, pinakbet, kalabasa in coconut milk, pako (vegetable fern) salad and clam soup, all complement with organic rice cooked in pandan leaves.  This self-sufficient center promotes the locavore lifestyle – eating food that is locally produced.

Food preparation cottage

Meals served here are prepared, by chef Jen (a London-trained therapist and food connoisseur) at her food preparation cottage, from mostly homegrown, organic ingredients; from papayas, guavas, bananas, camote (sweet potatoes), taro, wild spinach, medicinal herbs and spices as well as tilapia and free-range (stress-free with no hormones and antibiotics) native chicken and ducks.   From these, they are able to prepare their very own signature dishes such as laing, chicken adobo, banana heart salad, chicken sinampalukan (sour soup with chicken and tamarind leaves) and tilapia in coconut milk and petsay.

Our locavore lunch

Our merienda cena of lumpiang ubod

Prior to leaving the center, we were all treated to a merienda cena, again at the food tent, of fresh lumpiang ubod, a Negros Occidental (especially in my mom’s hometown Silay City) favorite (and mine).  This spring roll is filled with sautéed ubod (heart of palm), shrimps, tahure (bean cake) and bits of pork.  Its sauce, topped with roasted garlic bits, created a unique flavor. Melissa and I liked  it so much, we shared a second piece.

In the near future, the center plans to include regular hilot (the ancient Filipino art of massage) and dagdagay (a soothing and cleansing routine using native sticks for tired feet, from Ifugao and Mountain Province) service for its regular patrons.

Symbios Holistic and Wellness Sanctuary: Mandala Farm Estate, Timberland Heights, San Mateo, Rizal.
BioVitale Holistic Center: G/F, CRB Bldg., EDSA, Cubao, Quezon City.  Tel: (632) 448-7625 to 26. Mobile number: (0921) 260-8459.

Philippine Air Force Aerospace Museum – Indoor Exhibits (Pasay City)

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While waiting for my father-in-law’s arrival from Kalibo (Aklan) at the NAIA 3 Terminal, I decided to kill time at the nearby Philippine Air Force Museum.  I have visited this museum before, but only got to explore, with Jandy, the 16 “retired” planes and helicopters at the museum’s outdoor Aircraft Park.  The indoor exhibit was just one hour to closing time during that visit.

Philippine Air Force Aerospace Museum

This military heritage and science technology museum was established way back on May 2, 1974 (as the Marcos Museum) but it only opened at its new location on July 1, 2001.  The world-class museum building was inaugurated on June 29, 2007, the 60th foundation anniversary of the PAF.  Surprisingly, this tidy, neat and quite impressive, 2-level museum, a good 2-hr. diversion for those who are also waiting for their plane connections, had a number of weekday visitors.

Science and Technology Section

The Science and Technology Section, at the ground floor, is highlighted by by an indoor static aircraft of various eras  – from pre-World War II to the present – all immaculately restored.  Of World War II vintage is a single-engine, 2-seater, open cockpit and fabric-covered Boeing PT-13D “Kaydet” (also known as Stearman Model 75) primary trainer biplane, a standardized U.S. Army/Navy trainer aircraft created by Boeing-Stearman from 1943-45.  Before World War II, the Philippine Army Air Corps (now the PAF) had Stearman model 73L3 trainers and the armed 76D version.  As part of the U.S. Military Defense Assistance Program (MDAP), the PAF Flying School acquired 50 PT-13/PT-17 “Kaydets.”

PT-13D “Kaydet”

The one on display is PT-13D “Kaydet” 76-7551 code 551 equipped with a 220-HP Lycoming R-680-17 radial engine (max. speed: 125 mph) and fitted with a ground-adjustable McCauley steel black propeller.  The aircraft has a 32-ft., 2-in. wing span and is 24 ft. 10 in. long and 9 ft. 2 in. high.

P-51D “Mustang”

Also of World War II vintage is a propeller-driven  P-51D “Mustang” fighter, manufactured by North American Aviation, the best fighter aircraft of World War II.  Around 100 of these fast and maneuverable aircraft, with 6 wing-mounted guns, were delivered to country in 1952 and assigned to the 6th Tactical Fighter Squadron, 5th Fighter Wing in Basa Air Base (Floridablanca, Pampanga).

SF-260

Beside it is a modern, Italian-made SIAI Marchetti SF-260, a light military trainer with low wings and tricycle undercarriage that is still in use.  The PAF acquired 2 variants in 1967 and initially received 2 SIAI Marchetti SF-260 operated by 102nd Training Squadron (now the PAF Flying School). The one on display had a tail number 15-44 and bore a tactical code 644.  Aside from being used by the flying school, it is also used for counter-insurgency roles.

“Cali” Super Pinto

Also on display are PAF experimental projects presented in ways to inspire young generations of Filipinos to learn on aerospace-related sciences. Of special interest is a prototype of the “Cali” Super Pinto, the first indigenous jet trainer and light attack aircraft in the country.  This turbojet-propelled, mid-monoplane aircraft has a TEMCO model TT-1 Pinto air frame with 2-place tandem seating.

U.S. space capsule
Replica of Wright Brothers’ 1902 glider

Suspended on the ceiling is a locally-made, full scale model of the Wright Brothers’ 1902 glider  and a U.S. space capsule.  The Science and Technology Section also exhibits aircraft mock-ups and miniatures. There is also a souvenir shop on this floor.

Dodge WC-57 Command Car
A row of ejection seats
Canopy and ejection seat systems

Also within this floor is a Dodge WC-57 Command Car (used by former Philippine presidents);  armament and gun system of a Northrop F-5A; F-86F nose landing gear system; canopy and ejection seats (F-86F “Sabrejet,” F-4 “Phantom” and F-5A “Freedom Fighter”); a portable rescue hoist and jet engines.  Kids may sit in the cockpit of an F-86D fighter jet simulator.

Hiroo Onoda Exhibit
Wall of Heroes
Evolution of PAF Uniforms

The Heritage Section, at the second floor of the museum, presents a variety of galleries displaying different military uniforms and their evolution (Evolution of PAF Uniforms); flying gear; dioramas and sand tables of important events involving the Air Force (Dioramas/PAF Model Aircraft); model planes, memorabilia, vintage guns, locally made bombs; a display of things left by Japanese straggler Lt. Hiroo Onoda while hiding in the jungles of Lubang in Mindoro; and skilled drawings and paintings of early military aviation and PAF history.

Past Commanding Generals of the PAF

There are also photographs of past commanding generals of the Philippine Air Force; recipients of the Philippine Medal of Valor and Distinguished Conduct Star (Wall of Heroes); old photographs depicting the history of the Air Force and its Blue Diamonds aerobatics team (Birth of Philippine Aviation) and a photo exhibit of the historic May 29, 1936 Arnacal (short for the names of Filipino pilots Antonio Arnaiz and Juan Calvo) flight from Manila to Madrid (Spain).

Photo exhibit of Arnacal flight

This floor also has a 150-200-pax function room for seminars, workshops, symposia, expositions and other cultural activities, plus a 45-pax mini-theater for small group film showings.\

Philippine Air Force Aerospace Museum: Gozar cor. Alia St., Col. Jesus Villamor Air Base, Pasay City.   Open Mondays to Fridays, 8 AM to 5 PM, Saturdays, 8 AM to 12 noon. Admission is free.  Tel: (632) 832-3498, 854-6729 and 762-6628.

Pulilan Town Proper (Bulacan)

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From Pulilan Butterfly Haven and Resort, Jandy and I made our way back to Manila via NLEX which we plan to enter via the Pulilan Exit. Along the way, we passed through the center of Pulilan town and made a short stopover there for merienda, parking our Toyota Revo at the plaza in front of the town’s Diocesan Shrine of St. Isidore the Farmer (San Isidro Labrador).  The church was closed during our visit and I could only admire it from outside.

Check out “Pulilan Butterfly Haven and Resort“

Church of St. Isidore the Farmer

During the Carabao Festival (May 15, Feast of San Isidro Labrador), the  church is the site where carabaos (water buffalos) are made to kneel or genuflect with its two front legs as a sign of reverence to the patron saint. Like the Church of St. Augustine from the nearby town of Baliuag, the church is also known for featuring one of the longest Holy Week processions with at least 110 floats.

Check out “Diocesan Shrine of St. Isidore the Farmer“

Pulilan Municipal Hall
Museo de Pulilan

From the plaza, we walked, along a side street, to the municipal hall where we had some burgers and soft drinks at a nearby refreshment stand.  Across the municipal hall is the Municipal Trial Court Bldg. which also houses the Museo de Pulilan.

Aguirre Ancestral House, home of Pulilan Butterfly Haven and Resort

From the town proper, the back of Aguirre Ancestral House (home of the aforementioned Pulilan Butterfly Haven and Resort) can be seen.  After merienda,we retraced our steps back to the car and proceeded on our way back to Manila.

Diocesan Shrine of St. Isidore the Farmer (Pulilan, Bulacan)

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Church of St. Isidore the Farmer

The 19th-century Church of St. Isidore the Farmer (San Isidro Labrador), dedicated to Saint Isidore, the Laborer, was first built, with light materials, immediately after the erection of the parish. In 1826, Fr. Juan Rico started the construction of a new church. It was greatly damaged during the June 3, 1863 and July 19, 1880 earthquakes and was rebuilt by Fr. Miguel de Celis a few years after.

The triangular pediment with the Augustinian emblem in the center

Its plastered, predominantly Baroque  and Neo-Classical façade, punctured by rectangular openings (three rectangular windows and one canopied rectangular main portal), contrasts greatly with the bare stone walls on the side and interior of the church.  It is divided, by rectangular pilasters (the ones at the ends are topped by urn-like finials), into three vertical sections capped off by a triangular pediment.  The 3-storey bell tower, on the left side, with the top level done in concrete, has a balustrade on the second level.

The 3-storey bell tower

Devoid of heavily detailed ornamentation, only the Augustinian emblem, motifs on the cornice and the balustrade on the belfry break the monotony of design. 

Church of St. Isidore the Farmer: Brgy. Poblacion, Pulilan, Bulacan. Tel: (044) 676-1294.  Feast of St. Isidore the Farmer: May 15.

How to Get There: Pulilan is located 50.5 kms. (a 1.25-hour drive) from Manila an 19.8 kms. (a 45-min. drive) from Malolos City.

Bulacan Doll Museum (Pulilan, Bulacan)

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Bulacan Doll Museum

The Bulacan Doll Museum, a museum located within the Pulilan Butterfly Haven, a popular ecological and swimming resort, exhibits a 17-diorama doll collection that pays tribute to Filipino craftsmanship.

Check out “Pulilan Butterfly Haven and Resort“

 

Alamat ng Ibong Adarna

Fertility Dance

Among the historical events depicted in the dioramas are the Birth of Katipunan in Bulacan, the Battle of San Rafael, the Declaration of Philippine Independence, the Biak-na-Bato Republic; the Capture of Calumpit by the Americans, the Japanese Occupation in Bulacan, the Independence Day celebration in Bulacan, the Malolos Congress, and the Defense of Kakarong de Sili in Pandi.  

Fluvial Parade of Bocaue

Good Friday Procession

The Folklore of Juan Tamad

The museum also features the Carabao Festival, the Sta. Clara Fertilization Dance in Obando, the fluvial parade of Bocaue, the Good Friday procession in Baliwag, Bayanihan and Pamanhikan (pre-nuptial entreaty ceremony); Alamat (fable) of Ibong Adarana; the folklore of Juan Tamad; the neighborhood cooperative endeavor; and Bulacan industries such as Paombong vinegar (suka) industry, the making of polvoron and other native delicacies, jewelry-making, embroidery and hat-weaving.

Pre-Nuptial Entreaty Ceremony

The Biak-na-Bato Republic

Pulilan Butterfly Haven: San Francisco St., Poblacion, Pulilan, Bulacan.  Tel: (044) 676-1377 and 910-1388.  E-mail:  pulilanbutterfly@yahoo.com.  Website: www.pililanbutterfly.ph.

Pulilan Butterfly Haven and Resort (Bulacan)

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From Calumpit, Jandy and I entered the town of Pulilan and made a stopover at the Pulilan Butterfly Haven, a popular ecological and swimming resort house within the Aguirre Ancestral House.  Jandy had been here before, during a field trip in February 2005.

Check out “Pulilan Town Proper“

A haven for butterfly enthusiasts and nature lovers, it has a collection of breeding and flight area for 8 species of colorful butterflies (tree nymph, lacewings, etc.), an ornamental garden, orchidarium (including the famous vanda sanderiana) and a 1,600 sq. m., butterfly-inspired swimming pool (admission: PhP100/pax), all creating a refreshing and cool atmosphere, plus a museum (Bulacan Doll Museum, admission: PhP50 ) and overnight cottages (PhP1,500).

Pulilan Butterfly Haven
Upon entry, we met up with caretaker Ms. Fe Magtalas who toured us around the Bulacan Doll Museum.  Located within the unassuming old ancestral house of owner Ms. Estelita A, Caleon-Aguirre (poetess, CPA and deputy commissioner of the Bureau of Internal Revenue), this museum houses the Bulacan Doll Museum, a 17-diorama doll collection that pays tribute to Filipino craftsmanship.
Check out “Bulacan Doll Museum“
Bulacan Doll Museum


Pulilan Butterfly Haven: San Francisco St., Poblacion, Pulilan, Bulacan.  Tel: (044) 676-1377 and 910-1388.  E-mail:  pulilanbutterfly@yahoo.com.  Website: www.pililanbutterfly.ph. 

The "Real" Bagbag Bridge? (Calumpit, Bulacan)

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On our way to Pulilan, I was on the lookout for the Bagbag Bridge, site of, according to Wikipinino.org:

“the first battle between Filipino and American soldiers during the retreat of Aguinaldo to the Ilocos Region and of the longest battle during the Filipino-American Wars (sic) led by Gen. Gregorio del Pilar on April 25, 1899.  The bridge commemorates the bravery displayed by the Filipinos as they victor (sic) in the battle against the American forces.”

Bagbag Bridge

Upon crossing a concrete bridge, I espied the much lower, similarly concreted bridge on the right.  This old, now disused bridge was impassable as one span has fallen into the river.  I guess I got the right bridge as pictures at the the Bulacan provincial government website depicts it as such.  However, looking at it, it begs the question “Was it the actual bridge that was the site of that battle?”  “We’re Filipino forces really victorious in that battle?”  First, let me state the facts, on the Battle of Calumpit, as I researched it at “Philippine-American War, 1899-1902” (written by Arnaldo Dumindin).

After taking Quingua (now Plaridel), Calumpit, only 8 kms. (5 miles) north of Malolos, became the next American objective. Gen. Antonio Luna, however, was nowhere near the town as he left for Guagua to punish Gen.  Tomas Mascardo, the military commander of Pampanga, for leaving his post to inspect troops (others say to attend a fiesta or visit a girlfriend) at Arayat (Pampanga). 

Gen. Mascardo, with around 21,000 men under his command at the time, had been supposed to strengthen the defense of the Calumpit–Apalit Line by providing reinforcements in the area when needed.  Luna took most of the defending cavalry and the artillery with him, leaving Gen.  Gregorio Del Pilar to counter the advancing American troops. Aguinaldo had ordered Luna to retreat and burn the railway bridge spanning the Bagbag River, but Luna ignored the order.

However, on April 23, 1899, Gen. Del Pilar did cut the iron girders of the railway bridge, with the intention of making the bridge collapse once the enemy’s armored artillery transport train, with 6 pounders and rapid fire guns, passed over it. However, the section of the bridge prematurely collapsed, under its own weight, before the train had reached it. Chinese porters pushed the train to the mouth of the river.  

Col. Frederick Funston, with 6 men, crawled, under heavy fire, across the ironwork of the bridge and, upon reaching the broken span, dropped into the water and swam to the opposite shore, where Filipino trenches were located. Upon reaching the opposite bank, they charged the trenches and killed 25 Filipinos.  Other troops promptly repaired the bridge to let their supply wagons cross over the river.

By nightfall of April 25, Luna had returned from Guagua with only Filipinos in the barrio of Sta. Lucia holding out against the Americans in the Bagbag sector. Gen. Luna tried to fight and repulse the Americans, but he was eventually forced to retreat, destroying bridges as his troops fell back to slow the American advance.

Based on this research, the bridge in question was actually a railway bridge made of iron, not concrete.  The bridge in the recent photo I took was probably a more recent replacement but the location may be the same.  Here’s an actual photo taken of the damaged railway bridge, then being repaired by American troops, taken after the battle.  Aside from the difference in the materials used, I also noticed that the bridge supports are also different in size and shape.

Second, there was no Filipino victory in this battle.  Probably, the victory being referred to was the April 23, 1899 (not April 25) Battle of Quingua (now Plaridel) where the same Gen. Gregorio del Pilar, with 700 to 1,000 men, halted the advance of 62 Scouts plus a troop of the 4th Cavalry, all led by Maj. James Franklin Bell; or of their subsequent halting of the cavalry charge of Col. John M. Stotsenberg (who was killed together with 6 of his men).  This all happened in Quingua, not Calumpit.  In spite of these small victories, the Americans still triumphed in the end and took the town. 

This moment in history deserves a second look ……..