Church of the Holy Trinity (Loay, Bohol)

Church of the Holy Trinity

Upon arrival in Loay, our van entered the  church complex via the short bend from the road to Loboc. This old and charming church, built on top of a plateau overlooking the sea, near the mouth of the Loboc River, is also reached by short flight of stairs from the main highway.

The church after the October 15, 2013 earthquake (photo: Wikipedia)

Built with cut coral stone, it is cruciform in plan, with a low quadrangular pyramid atop the crossing, and was probably finished in 1822. The church was recently declared as a National Cultural Treasure and National Historical Landmark in 2003.

The restored portico facade

The church has two facades: an inner (1822), decorated with low relief (atop the inner doorway is inscribed the year 1822, indicating its presumed date of completion), and an outer three-level Neo-Classical portico-façade (apparently completed in the 20th century as its upper register is in reinforced concrete).

NHI Plaque.  It states that a certain Fr. Leon Inchausti was once assigned to this parish, that he was subsequently martyred during the 1936-39 Spanish Civil War and that he was canonized in 1999 and is now a saint

It has a semicircular arched main entrance (which formerly had a Latin inscription “Deus Trinus et Unus” above it, alluding to the parish’s dedication to the Holy Trinity) at the first level, rectangular windows on the second level and a low triangular pediment topped by allegorical figures of Faith, Hope and Charity. The sides of the church are reinforced by huge buttresses.

The ceiling murals obscured by a maze of scaffolding

During the October 15, 2013 earthquake, the church’s portico-facade fell down but, during our visit, it had already been restored. Inside, there were still a lot of scaffolding with repair work still ongoing.  The painted trompe o’eil ceiling is filled with murals of Biblical scenes finished by Ray Francia on June 15, 1927.

The colonnaded main altar has a Neo-Classic retablo with images of the Holy Trinity (with God the Father seated on the right, God the Son on the left, and God the Holy Spirit in the form of a dove above them) topped by a baldaquin.

There’s also a massive pipe organ installed in 1841 and a pulpit topped by a torravoz with Neo-Gothic dome and fringed by a “lacework” of metal and wood.

Stairs leading to the choir loft

The separate, three-storey octagonal bell tower, topped by a domed roof, was built by Fr. Carlos Ubeda (1859 to 1865).  The stone and wood convent now houses the Holy Trinity Academy, founded in 1947.

The separate, 3-storey bell tower

Church of the Holy Trinity: Tel: (038) 538-9158 and (038) 501-1145. Feast of the Holy Trinity: Trinity Sunday (May).

How to Get There: Loay is located 22.1 kms. (a 30-min. drive) east of Tagbilaran City.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com.

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Cathedral of St. Joseph the Worker (Tagbilaran City, Bohol)

Cathedral of St. Joseph the Worker

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

First built with forced labor by Jesuits in 1787, it was burned on December 23, 1798 (8 PM) and reconstructed and enlarged from 1839 to 1855 by Fr. Valero de San Sebastian. Between 1888 and 1894, Fr. Escolastico Enciso made improvements by sumptuously painting it and adding iron cornices, wooden flooring and chandeliers. In 1941, the church was made into a cathedral.  Very little remains of its Spanish-era past.

The new left wing of the cathedral

Between 1945 and 1951, ill-conceived and deeply regretted renovations were initiated by Msgr. Julio Rosales (the first Bishop of the Diocese of Bohol and later Cardinal), assisted by the parish priest Fr. Arturo Tecson. The coral stone facing was totally replaced by cement, the antique wooden flooring was replaced by reinforced concrete and the original ceiling, featuring beautiful, centuries-old frescoes depicting catechetical themes and Biblical scenes found in many historic churches of Bohol, was totally changed and lost forever.

The right wing

Between 1952 and 1970, the church façade and the choir loft were totally changed by Msgr. Manuel Mascarinas, with the assistance of parish priests Fr. Pedro Namoc and Fr. Camilo Auza.  Major renovations were also done in the interior and exterior walling.  To widen and enlarge the presbytery, massive stone walls were demolished so that the main altar can be moved back by 3 m. and additional wings (which forever altered its cross-shaped plan) were built to accommodate a fast-growing congregation.

The statue of St. Joseph the Worker that replaced the small, Spanish-era obelisk

Also, on May 1, 1996, as part of the Cathedral Expansion Project, a small obelisk in front of the church, erected in February 1828 and repaired on February 1949 was removed, replaced by a statue of St. Joseph the Worker. The church was slightly damaged during the strong October 15, 2013 earthquake.

The cathedral interior

The cathedral has a Neo-Romanesque facade with corbelled arches underneath the cornice, a porch over the main entrance and tall, semicircular arched windows. The Augustinian Recollect Order’s seal are carved on the doors, arches and cornices.

The main and 2 side altars

Inside are 20 venerated, wooden and historic images along the walls of the church. The main altar, elegantly decorated with ornate gold designs depicting symbols of Old Testament times, is in the 19th century Neo-Classical style.

The main altar

At its center is the 18th century image of St. Joseph the Worker, with the image (dated 1848) of San Roque (St. Roch), the secondary patron, on the left, and that of St. Vincent Ferrer, dated 1861, on the right. Immediately above St. Joseph’s throne, on the main altar’s second storey, is the image of Nuestra Senora de Lourdes (Our Lady of Lourdes), said to have been donated in 1895 by Dona Maria de Bourbon of the Royal House of Spain, and installed, with great pomp, on February 19, 1895.

The left side altar

The 2-tiered side altars are of the 18th century Baroque style. The left wing retablo contains images of the Sacred Heart of Jesus (acquired in 1897) and 4 different devotions to the Blessed Virgin, the Mother of Jesus, and St. Therese of Liseuix, the Little Flower.  On the right side altar are the Risen Christ, the Immaculate Heart of Mary (acquired in 1897), St. Anthony of Padua, and Our Lady of Perpetual Help.

The new ceiling frescoes

The 4-storey bell tower (currently being repaired), with a dome roof and six bells (dating from 1891 to 1907), was started in 1886 by Fr. Jose Sanchez and finished and blessed in April 1891.  The 2-storey convent, also destroyed in 1798, was enlarged and roofed with galvanized iron in 1872 by Fr. Lucas Coromina. It is now the bishop’s residence.

The 4-storey bell tower

Cathedral of St. Joseph the Worker: J.A. Clarin cor. F. Sarmiento St., Tagbilaran City. Tel: (038) 411-2282 and (038) 411-3522. Feast of St. Joseph the Worker: May 1.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com.

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

The Ancestral Houses of Sitio Ubos (Tagbilaran City, Bohol)

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

Tagbilaran City has a number of heritage houses that can be found in Sitio Ubos (Lower Town), the oldest district of the city. During this period, old rich Chinese families built their houses in this formerly major port town in the city to establish their wealth. In 1916, there were only four families living there – the Oppus-Borjas, the Rochas, the Manigques and the Butalids. Through the positioning of their houses, the Rochas almost wholly owned the place, showing their great economic clout. We visited three of these, all located in close proximity to each other.

Fortich-Rocha House

The first house we visited was Fortich-Rocha House, the home of Don Fernando Gorraiz Rocha. Formerly a renowned schoolteacher (known as Maestro Andoy) in the Spanish school for boys and also a former governor of Bohol in the early 20th century, Don Fernando lived here with his wife, Dona Catalina Fortich, a local lady of Spanish extraction. The house, probably built before the 1850’s, was made with wooden boards and had a nipa roof.

The ground floor of this house once served as a bazaar.  However, the house was made popular by the baking skills of the Las Hermanas Rochas, the unmarried sisters of Don Fernando, who once produced the best pastries in town – hojaldres, broas, kinatloan and the plebeian fare called dugmok (toasted left-over bread).

Antonio Rocha House

The most distinct and impressive house in Sitio Ubos today is probably the house of the mestizo sangley Don Antonio Rocha, once the escribiente (clerk) of the Tagbilaran parish.   It has a tile roof and stone skirting at the ground floor. On the back wall is inscribed the date 1831, most likely the year when this house was built. In the 1970’s, the owners rented out some of the rooms to students in Tagbilaran.

Later on, the owner sold it to a Manila-based antique collector who shelled out some earnest money so as to gain foothold in the house, after which he began methodically stripping the house of valuable antiques, including the frame of an Antonio Rocha painting.  He then sold it to the present Swiss owner.

On the opposite side of the road is the impressive Beldia House, built in 1858 by Don Esteban Butalid, a gobernadorcillo and businessman. Don Manuel Timoteo Hidalgo, the brother-in-law of Jose Rizal (married to sister Saturnina), stayed in the house for four months (in January 1889 and then again in December of the same year) during his exile to Bohol.  It is also possible that Jose Rizal himself may have visited the house when he supposedly toured Bohol in 1894. During the Spanish regime, the house served as a provisional municipio before a new one, long since disappeared, was built high on the cliff above Sitio Ubos. In 1971, Judge Antonio Beldia bought the house from the Butalid-Calceta-Gallares family corporation.

The Beldia House

The Beldia House, with its elegant floating volada atop massive masonry walls, has a lot in common with its neighbor, the equally outstanding and exceptional Antonio Rocha House.  Both have curving gambrel roofs of clay tiles with its bent-down ridges.  Unique in the province, it gives the houses a distinct Chinese feel. Likewise, both houses have massive ground floor walls made with coral stone.

Hidden in one of the side walls (which used to be the main façade), fronting a now vanished road, is the original main entrance, now serving as window to the former office of the late Judge Beldia. Its elaborate Neo-Classic facade, unique in Boholano domestic architecture, is flanked by two pilasters with particularly attractive Composite capitals (a whimsical interpretation of the Corinthian model) hewn from coral stone.  Its three-centered arch is topped by an architrave of Classic proportions.

Originally having a U-shaped floor plan, the house’s internal courtyard has now been roofed over and now serves as the main entrance. The upper floor has since undergone considerable alterations.  There are new jalousie windows and the old wooden panels were largely replaced by contemporary materials.

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Balili Heritage House (Tagbilaran City, Bohol)

Balili Heritage House

Part of the Panglao Bluewater  Resort-sponsored Tagbilaran City Tour

Our first stop in our Tagbilaran City tour was the majestic, two-storey Balili House, built sometime in 1934 by the then bachelor Mr. Eladio Balili, a history teacher of  Bohol National High School and businessman  (dried fish, lumber, furniture, transport and construction),  who later married Ms. Pancrasia “Caring” Castro.

The grand concrete stairway leading up to the porch

Barely visible from the street, its main facade is crowned by a wide overhanging gable roof with roof eaves adorned with Art Nouveau carvings.

The park-like garden

We passed through a park-like garden before climbing a sweeping grand concrete stairway leading to the artistically designed, second floor porch with its rounded corners, rough-hewn wooden posts, topped by semicircular arches with embroidery-like carvings on the fringes.

Arch. Gloria Balili-Katz (right) briefing members of media

The delicate calado wood carvings (in harp design), lattice screens, and barandillas (framed by carved wooden harps and friezes) underneath the windows add grace and playfulness to the house. The two sets of sliding capiz windows, with air vents above it, flank the porch on both sides.

February 18, 1957 (Eladio’s 58th birthday) picture of the Balili Family. Gloria is at the center

Elegant wooden canopies, with tooth-like fringes, protect the windows. The house has a square floor plan, unusual for Bohol houses.

The dining area

Upon entry, we were all welcomed by architect Gloria Balili-Katz, the youngest (of seven children) of Eladio and Pancrasia who gave us a tour of the well-preserved, incredibly beautiful mansion. According to her, the house served as a venue of grand social functions of Tagbilaran which were attended by prominent political and social personalities from both the local and national level.

Photo of Roxas-Quirino meeting on March 9, 1946

One such grand gathering was the March 9, 1946 meeting of then Pres. Manuel A. Roxas with senator (and later president) Elpidio R. Quirino, former governor Perfecto Balili (the brother of Eladio) and other important local political personalities. In March of 1942, during World War II, the Balili Mansion was requisitioned for use by high ranking Japanese military officers.

In the 1950s, after building a new larger house on the huge compound, Eladio finally moved out. The descendants of Eladio also preferred to build their own homes on the large family compound. The house was rented out but its last tenants moved out in 1998. For various reasons (accessibility, water supply, fear of ghosts, etc.), it was vacant for more than a decade.

Office desk with the agila chair (which Roxas sat on) behind it

Today, this well-maintained, virtually unchanged “sleeping beauty” has reawakened after it was converted into The Oasis lodging house (PhP450/pax for a fan-cooled room and PhP750/pax for an airconitioned room).  Meals are available upon request.

Antique wall-mounted clock

Inside are wooden walls (above which are calado woodwork) and ceiling, old photographs (including the photo of the Roxas-Quirino meeting) and floor of wide hardwood planks. Antique furnishings include the wooden chair (where Roxas sat on) with an agila (eagle) at its crest, an office desk, a butaka (a chair with long arm rests) and an old clock.

The sliding capiz windows with ventanillas below it

Balili Heritage House: 6 J. Borja St., Tagbilaran City. Tel: (038) 411-2511.  Mobile number: (0918) 299-1865. Website: www.oasislodgeHeritagehouse.com.

How to Get There: the house is located near the old Holy Spirit School, in front of Mang Inasal.

Bohol Tourism Office: Governor’s Mansion Compound, C.P.G. Ave. North, Tagbilaran City, 6300 Bohol.  Tel: +63 38 501-9186.  E-mail: inquire@boholtourismph.com.

Panglao Bluewater Resort: Bluewater Rd., Sitio Daurong, Brgy. Danao, Panglao, 6340 Bohol.  Tel: (038) 416-0702 and (038) 416-0695 to 96. Fax: (038) 416-0697.  Email: panglao@bluewater.com.ph. Website: www.bluewaterpanglao.com.ph.  Manila sales office: Rm. 704, Cityland Herrera Tower, Rufino cor. Valera Sts., Salcedo Village, 1227 Makati City, Metro Manila.  Tel: (632) 817-5751 and (632) 887-1348.  Fax: (632) 893-5391.

Church of Our Lady of the Pillar (Sibonga, Cebu)

Church of Our Lady of the Pillar

Part 9 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

This southern Cebu town’s present stone and brick church was started by Fr. Juan Alonso (parish priest from 1868 to 1881) and finished by Fr. Enrique Magaz in 1881. Fr. Emiliano Diez was applying the finishing touches when the revolution broke out in 1898.

The simple and bare, Pseudo-Gothic facade

In 1907, the church was restored and blessed by Msgr. Jeremiah James Harty, Archbishop of Manila, American Bishop Thomas Hendrick and 17 other priests.

NHCP Plaque

On December 2, 2010, a cast-iron national historical marker was unveiled at the church’s facade by National Historical Commission of the Philippines (NHCP) Chairman Ambeth R. Ocampo along with Sibonga’s parish priest Fr. Leo Cabahug and the Sibonga Ecclesiastical Heritage Commission’s president Dr. Noel Ponce.

The convent

The solid and beautiful convent was built by Fr. Prospero Puerto (parish priest from 1833 to 1868) following the plans of Bishop Santos Gomez Marañon. The oldest bell, dedicated to Santa Filomena, was installed in 1863. The bell tower was destroyed during the typhoon of November 25, 1877.

The church’s beautiful interior

The altar

The church’s simple and bare, Pseudo-Gothic façade, divided into three sections by shallow pilasters, has a flame-like arched main entrance flanked by massive twin bell towers with pyramidal roofs and flame-like arched windows. The Gothic-style triangular pediment has a rose window sporting the Augustinian seal in wrought iron.

Left side retablo

Right side retablo

The one-nave interior, clearly influenced by Carcar City’s Church of St. Catherine of Alexandria, has a wooden colonnade and a mesmerizing series of  ceiling murals at the nave.

Baptism

Confirmation

Holy Communion

 

Matrimony

Holy Orders

Extreme Unction

Penance

Painted in amber and brownish tones by famed Cebuano artist Raymundo Francia (popularly called the “Michaelangelo of Cebu”) in 1924, they feature the  Seven Sacraments (“Baptism,” “Confirmation,” “Extreme Unction,” “Penance,” “Matrimony,” “Holy Communion” and “Holy Orders”).

Christians Defending Their Faith

Christ Purging the Temple

At the entrance vestibule are the ceiling frescoes  “Christians Defending Their Faith” and “Christ Purging the Temple.” The “Creation of the World,” the mural above the altar, shows the Biblical scene of the seven days of creation (Genesis). The ceiling of the side aisles was expertly painted to create an optical illusion of a coffered ceiling woodwork. 

The Creation of the World

Optical illusion of coffered woodwork at ceiling

Church of Our Lady of the Pillar: National Highway, Poblacion, 6020 Sibonga. Tel: (032) 486-9390. Feast of Our Lady of the Pillar: October 12.

How To Get There: Sibonga is located 60.7 kms. south of Cebu City.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

Church of St. Catherine of Alexandria (Carcar City, Cebu)

Church of St. Catherine of Alexandria

Part 7 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

Carcar City is noted for its striking examples of preserved colonial architecture, both from the Spanish and American eras. The most notable structure is the Church of St. Catherine of Alexandria. Around 1622, the town’s first convent and church was burned when Muslims sacked the town.

The church’s Graeco-Tuscan facade

The present masonry church, probably the second or third church, was built on a hill for greater security. It was started by Fr. Antonio Manglano in 1860, continued by Fr. Gabriel Gonzalez in 1865 and completed (including the interior painting) by Fr. Manuel Fernandez Rubio in 1875. Its roof was blown away during the November 25, 1876, typhoon.

An array of statues of some of the 12 Apostles at the church patio

Statue of Judas Iscariot, now painted white

Its lovely and massive Graeco-Tuscan façade, with its strong Muslim influence, has a double recessed arched main entrance (similar to an iwan of a Middle Eastern mosque), a blind wheel rose window below the upper recessed arch (above it is a carved Augustinian symbol), spandrels with geometric flora and a Baroque pediment on a high entablature, which crowns the middle segment.

The church’s interior

The lower story is flanked by a one-story structure corresponding to the aisles flanking the 68-m. long, 22-m. wide and 12-m. high-main nave. Neo-Classical altars, a coffered ceiling and carved cherub heads located along the arcade separating the nave from the aisle embellish the church’s interior.

The church patio, surrounded by a low fence of coral stone and wrought iron, has statues of the 12 Apostles, all painted white.  The statue of Judas Iscariot, standing all alone on a pedestal in front of the convent, used to be painted black but is now in white.

The Neo-Clasical main altar

The twin Muslim-like bell towers have solid geometric pylons which act as buttresses, and have no openings except at the third storey where ogee arches are used for the bells. This level ends up in onion-shaped domes reminiscent of minarets. One of its bells bears the date 1810, suggesting that a church was already in place by the early 19th century.

The church pulpit

Fr. Manuel Fernandez Rubio also built the masonry and wood convent, established on May 23, 1559, under the advocacy of the Visitation of the Virgin. An independent structure separated from the church by a road, it measures 33 m. in front and 22 m. at the side.  The convent sank during the November 25, 1876, typhoon.

The choir loft

Church of St. Catherine of Alexandria: Tel: (032) 257-3272. Feast of St. Catherine of Alexandra: November 25.

How to Get There: Carcar City is located 42 kms. (a 1-hour drive) south of Cebu City.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

Carcar City Museum (Cebu)

Carcar City Museum (formerly Carcar Dispensary and Puericulture Center)

Part 6 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

The very first museum in South Cebu, this museum is housed in the former Carcar Puericulture Center and Dispensary, a two-storey hospital for women and children. Resembling a doll house rather than a medical institution, it was perhaps meant that way to dispel the fears of the patients.

The second floor veranda

An excellent example of American-era civic architecture in the Philippines, this ornate and gracefully designed dispensary was initiated by Mayor Mariano Mercado in 1929 and inaugurated by Ms.Flora Base Mercado, the mayor’s wife, in 1937 with Gov. Sotero Cabahug in attendance.

Historical plaque

The building was inaugurated as the Carcar City Museum on July 8, 2008, during Carcar’s first anniversary as a city.

Calado woodwork

Stairs

This outstanding, beautifully restored white painted architectural landmark has a profusion of artful latticework, semicircular transoms, carved barandillas (railings) and mini-canopies and stained glass window panes. Beside the museum is a small gated park that pays homage to Don Mariano Mercado, who was responsible for many of Carcar’s beautiful landmarks.

The author at Carcar City Museum

Its galleries, in several rooms, feature objects with historical, cultural and artistic relevance such as a traditional corn milling stone, antique furniture, winning costumes used by Carcar contingents in numerous artistic performances, women’s clothing worn during that era, religious artifacts, leather cutters, kitchen utensils, journals, paintings, war weapons, medical tools, musical instruments and old news clippings about Gen. Pantaleon “Leon Kilat” Villegas.

Antique sewing machine

Farming implements

Props for Linambay (Cebuano term for komedya or moro-moro)

On the museum walls, visitors can see a chronology of events that took place in Carcar from the Pleistocene period up to the present. The terrace (terasa) is the best place to feel the cold breeze from the outside. 

Aparador

Bajo de unas (double bass) used in a rondalla 

Sousaphone

Carcar City Museum: Carcar Square, Carcar City, Cebu.  Open Mondays to Saturdays, 8 AM to 5 PM. Admission: free.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

Church of St. Isidore the Farmer (San Fernando, Cebu)

Church of St. Isidore the Farmer

Part 5 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

The town’s first church was constructed at Brgy. Pitalo but, after repeated repairs, it was decided that a new and much better church was be constructed on a land donated by Doña Clara Najarro at Taboan Market, not far from the town’s present cemetery.

The Neo-Gothic facade

The present masonry church was started by Fr. Miguel del Burgo on December 1870, following the plans of Spanish architect and engineer Don Domingo Esconrillas, and continued by Fr. Emiliano Diez on March 11, 1876. During the November 25, 1877 typhoon, half of the church’s roof, the sacristy and convent fell.  It was finished and solemnly blessed on October 25, 1886.

The pointed recessed arch main entrance

During World War II, the church was spared from war damage. In 1945, the separate, two storey, coral stone convent was turned into a school. From 1968-76, Fr. Constantino Boctoy renovated the church.

The right side of the church

Its Neo-Gothic facade has a flamboyant pointed, recessed arch main entrance flanked by two small pointed arch windows.  The main doorway is topped, above the cornice line, by a large, elaborately carved rose window.  Flat pilasters, mounted on high rectangular pedestals, rise up to the pediment line.  They end up in pinnacles and divide the facade into three vertical sections.

One of two bell towers

The upper level, integrated with the gable, is crowned at the apex by a cross and has a small, centrally located carved Augustinian emblem.  Traceries line eaves of the pediment. The church interior has been heavily renovated.

The church interior

A strong typhoon cut the tops of the twin Gothic-style square bell towers and they were never rebuilt to its original height. The present twin belfries, seemingly incongruous with the overall coral stone structure, were actually built in concrete later in the 20th century. They have one wheel window on the lower level, flame-like windows on the upper and both taper into spires topped by pinnacles at the corners of the painted dome.

The church altar

Church of St. Isidore the Farmer:  Natalio B. Bacalso South National Highway, Brgy. Poblacion South. Tel: (032) 488-9314. Feast of St. Isidore the Farmer: May 15.

How To Get There: San Fernando is located 29.3 kms. south of Cebu City. Buses to San Fernando park at the Cebu South Bus Terminal along N. Bacalso Ave. in Cebu City.  The church is just across the municipal hall.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

Archdiocesan Shrine of St. Francis of Assisi (Naga City, Cebu)

Archdiocesan Shrine of St. Francis of Assisi

Part 4 of the Bluewater Maribago Beach Resort & Spa-sponsored City Tour

The town’s coral and limestone church was built by Fr. Simon Aguirre in 1839 following plans prepared by Bishop Santos Gomez Marañon.  Its bell tower was destroyed by the November 25, 1876 typhoon, repaired, destroyed again in 1942 and rebuilt in 1974 by Msgr. Cesar Alcoseba. On October 3, 2007, the church was upgraded as an archdiocesan shrine.

The unusual Baroque facade that suggests Mexican art

The convent was started in 1864 by Fr. Enrique Magaz, continued in 1882 by Fr. Gregorio Ros and finished in 1887 by Fr. Roman Gonzalez.  It was destroyed in 1942 and rebuilt in 1974 by Msgr. Cesar Alcoseba. During World War II, the original bell tower was destroyed and portions of the church were damaged. A new separate bell tower was built in 1979.

The side of the church

The church has one main nave, a transept and measures 75 m. long, 15.4 m. wide and 10.6 m. wide.  Angels and gargoyles guard its doors. It’s simple interior, relatively unchanged since it was built over a century ago, features a dropped ceiling bearing geometric patterns and a gilded retablo and cornices adorning the Corinthian pillars and side walls.  A huge statue of St. Francis of Assisi adorns the patio adjacent to the church.

The church interior

The unusual Baroque-style façade, suggestive of Mexican art that is skillfully integrated into the local Filipino religious architecture, has no distinct architectural style.  It has twin minaret-shaped buttresses with projecting domes and is divided into lower and upper rectangular panels.

The main and two side retablos

The bare lower panel has a triangular arched recessed main entrance with molded door jambs flanked by six square columns while the overly-decorated upper panel has a miniature retablo (the cross with outgoing rays represent the expansion of the Christian faith) flanked by two sets of tiny columns and a frieze heavily-decorated with ornamental Roman-like acanthus leaf patterns and self-repeating designs divided into several rows.

Plaque

The pediment has a centrally located niche flanked by two sets of tiny columns with the Biblical saying Predicate Evangelicum omni creaturae.  It is also decorated with winged cherubs, rosettes, dancette or zigzag molding (below the raking cornice) and other embellishments. The symbols of the Cross, the Lamb of Sacrifice and the Eucharistic Monstrance are supported by ornamented columns resting on atlantes.

Statue of St. Francis of Assisi

Archdiocesan Shrine of St. Francis of Assisi: Cebu South Rd. Tel: (032) 489-9799  and (032) 272-2123. Feast of St. Francis of Assisi: October 10.

How To Get There: Naga is located 21.7 kms. south of Cebu City.

Bluewater Maribago Beach Resort & Spa: Buyong, Maribago, Lapu-Lapu City, 6015, Cebu. Tel: (032) 492-0100. Fax: (032) 492-1808.  E-mail: maribago@bluewater.com.ph.   Website: www.bluewatermaribago.com.ph.  Metro Manila sales office: Rm. 704, Cityland Herrera Tower, 98 Herrera cor. Valero Sts., Salcedo Village, Makati City, Metro Manila. Tel: (02) 887-1348 and (02) 817-5751. Fax: (02) 893-5391.

St. Patrick’s Cathedral (New York City, U.S.A.)

St. Patrick’s Cathedral

Our third, and final, mass in the U.S. was held at the decorated  Gothic Revival-style Cathedral of St. Patrick (commonly called St. Patrick’s Cathedral), the seat of the archbishop of the Roman Catholic Archdiocese of New York (created in 1808 and made into an archdiocese by Pope Pius IX on July 19, 1850). Held on the first Friday of July, this was our second visit to the cathedral (the first was 13 days ago) and we attended this mass to pray for a safe journey back to Manila, our flight back being just 8 hours away.

The cathedral is located on the east side of Fifth Avenue, between 50th and 51st Streets in Midtown Manhattan. Directly across the street is the Rockefeller Center and it specifically faces the Atlas statue. A prominent landmark of New York City, the land on which the present cathedral sits was purchased in 1810 and it was designed by James Renwick, Jr.  In 1976, the cathedral and its associated buildings were declared a National Historic Landmark.

Here’s some interesting trivia regarding St. Patrick’s Cathedral:

The 100.6 m. high spire

St. Patrick’s Cathedral currently has two pipe organs, both built by the firm of George Kilgen & Son of St. Louis, Missouri. They consist of more than 9,000 pipes, 206 stops, 150 ranks and 10 divisions.

The cathedral interior

The Gallery Organ,  located in the Choir Gallery below the Rose Window over the Fifth Avenue entrance and in the Triforium, near the South Transept, was edicated on February 11, 1930. It took 3 years to build at a cost of US$250,000. Designed by Robert J. Reiley, consulting architect of the Cathedral, it has one of the nation’s most glorious wood facades and is adorned with angels and Latin inscriptions. Containing 7,855 pipes, ranging in length from 32 ft. to 1/2 inch, its longest pipes run horizontally across the North and South Triforia.

The pulpit

The Chancell Organ,  located in the North Ambulatory next to the Chapel of St. Joseph, was dedicated on January 30, 1928. It has 1,480 pipes; located on the opposite side of the Ambulatory, diagonally across from the console, and is encased in a carved oak screen ornamented with Gothic elements of design and symbolism.

Stained glass windows

Here is a timeline of the cathedral’s construction:

  • On August 15, 1858, the cornerstone was laid, just south of the diocese’s orphanage.
  • Work began that same year, was halted during the Civil War,and resumed in 1865.
  • In 1878, the cathedral was completed and was dedicated on May 25, 1879.
  • In 1879, the cathedral’s first organ, composed of 4 manuals with 51 stops and 56 ranks, was built by George Jardine & Son, one of New York’s most distinguished organ builders, and installed.
  • In 1880, the archbishop’s house and rectory were, both by James Renwick, Jr.
  • In 1880, an organ by J.H. & C.S. Odell (then also from New York City), composed of 2 manuals with 20 stops and 23 ranks, was installed in the chancel.
  • An adjacent school, no longer in existence, was opened in 1882.
  • The spires were added in 1888, and at 329 feet and 6 inches (100.4 meters) were the tallest structures in New York City and the second highest in the United States.
  • From 1901 to 1906, an addition on the east, including a Lady chapel (designed by Charles T. Matthews), was constructed.
  • Between 1912 and 1930, the Lady Chapel’s stained-glass windows were made by English stained glass artist and designer Paul Vincent Woodroffe.
  • In 1927 and 1931, the cathedral was renovated, the sanctuary was enlarged and two great organs were installed.
  • In the late 1930s and early 1940s, the cathedral’s main altar area was renovated under the guidance of Archbishop (and later cardinal) Francis Spellman. The previous high altar and reredoswere removed (now located in the University Church of Fordham University). New items include the sanctuary bronze baldachin and the rose stained glass window.
  • In the 1940s and 1950s tonal changes were made on the two organs.
  • In the 1970s and 1980s, additional renovations were made on the organs by Jack Steinkampf of Yonkers, New York, particularly in the revoicing of flutes and reeds, and the addition of the Trumpette en Chamade.
  • In the 1980s, the altar was further renovated, under the direction of Cardinal John Joseph O’Connor. To be more visible to the congregation, a stone altar was built from sections of the side altars and added to the middle of the sanctuary. However, in 2013, this altar was removed.
  • In 1993, the organs underwent major restoration. new consoles for both the Gallery and Chancel Organs to replace the original ones (which had deteriorated beyond repair) were acquired. Robert Turner (of Hacienda Heights, California) constructed twin, 5-manual consoles while Solid State Logic, Ltd. of England designed and engineered the combination action. Fiber-optic wiring were used to enable both consoles to control the Gallery, Chancel and Nave Organs at the same time. In 1993, the Gallery console was finished and installed in time for Christmas Midnight Mass. In early 1994, the Chancel console was installed. In 1995, the entire Chancel Organ was restored
  • On September 15, 2007, the 10th anniversary of the organ’s renovation, the organs were blessed. The Bicentennial Concert Series was also inaugurated with a performance James E. Goettsche, the Vatican Organist.
  • In 2012, an extensive US$177 million restoration of the cathedral was begun and lasted 3 years. The exterior marble was cleaned, the stained glass windows were repaired and the ceiling was painted, among many restorations. On September 17, 2015, the restoration was completed before Pope Francis visited the cathedral on September 24 and 25, 2015.

The cathedral ceiling

Beneath the high altar is a crypt in which the nine past deceased Archbishops of New York as well as notable Catholic figures that served the Archdiocese are entombed. They include:

Plaque commemorating Pope Paul VI’s October 4. 1965 visit

The galeros of Cardinals McCloskey, Farley, Hayes and Spellman (also worn by Pope Pius XII, as Cardinal Eugenio Pacelli, until the latter’s election to the papacy at the 1939 Papal conclave) are located high above the crypt at the back of the sanctuary. In 1965, the ceremony of the consistory was revised by Pope Paul VI and therefore no galero was presented to Cardinal Cooke or any of his successors.

Plaque commemorating Pope John Paul II’s second Papal visit

Requiem Masses were said at the cathedral for the following notable people:

Special memorial Masses were also held at the cathedral for the following:

The cathedral or parts of it were featured in a number of movies, TV shows, songs and literary works:

  • The climax of Beneath the Planet of the Apes (1970), where Taylor destroyed Earth with the AlphaOmega bomb, were set in the cathedral’s underground ruins. Centuries earlier, mutant humans surviving a nuclear holocaust founded a religion on the bomb (later depicted in Battle for the Planet of the Apes). They reconsecrated the cathedral to their new religion and installed the bomb in front of the organ pipes in place of the crucifix.
  • The TV show Futurama, Fry, Leela, et al. are visiting the sewer mutants beneath the ruins of Old New York and Fry sticks his head in the cathedral, sees the bomb, and says, “So you guys worship an unexploded atomic bomb?” A mutant replies, “Not really, it’s mostly a Christmas and Easter thing.”
  • Nelson DeMille‘s 1981 novel, Cathedral, concerning a fictional seizure and threatened destruction of the cathedral by members of the Irish Republican Army on St. Patrick’s Day, is mostly set in and around the cathedral and details of the cathedral’s structure contribute important elements to the plot.
  • The cathedral is also featured in the 1990 film Gremlins 2: The New Batch.
  • In Giannina Braschi‘s novel, Empire of Dreams (1994), the ringing of the church bells at the cathedral marks a pastoral revolution in New York City.
  • The cathedral was referenced in the song Not A Love Story by musical-theatre songwriters Kait Kerrigan and Brian Lowdermilk. 

The author and son Jandy at St. Patrick’s Cathedral

St. Patrick’s Catheral: 5th Ave, New York, NY 10022, USA.